The impetus behind the work is to observe, record and depict the
solitude of landscapes and the people that live within it through
the transients of its continuing devolution and inevitable evolution
oscillating between perpetual abandonment and rescue.
The work is an attempt at using imagery to the extent that the
works are devoid of opinion regarding themselves, and are subject
to the scrutiny of their creators and ultimately its inhabitants,
so the work is a passive entity in the midst of its continuing birth
and re-birth they are resigned to anonymity.